Monday, January 30, 2012

Is the term 'e-book' redundant?

At last the world of publishing and booksellers is waking up. As we trailed in a previous issue, the e-book is a term that should be dropped in favour of an 'epub' - thus distancing the product from the real book. At the Digital Book World Conference 2012, Barnes & Noble's Jim Hilt, noted, "The idea that the print book is going to die some slow long death is actually a fallacy. This may come across as self-serving, coming as it does from a bookseller. But there's also a great deal of self-service at work when investors, employees and owners of digital publishing companies repeat the mantra print is dead, print is dead."
  ''What's more, the term 'book' has been co-opted by content creators who have little investment in what is traditionally known as a 'book,' possibly in order to lend their work some gravitas and authority.'' Read more


Also, just a reminder, you can buy your eBooks through Last Word via our Google Affiliate Program!

Sunday, January 29, 2012

Salon Interview with WIlliam Gibson

William Ford Gibson (born March 17, 1948) is an American-Canadian speculative fiction novelist who has been called the "noir prophet" of the cyberpunk subgenre.[16] Gibson coined the term "cyberspace" in his short story "Burning Chrome" (1982) and later popularized the concept in his debut novelNeuromancer (1984). In envisaging cyberspace, Gibson created an iconography for the information age before the ubiquity of the Internet in the 1990s.[17] He is also credited with predicting the rise of reality television and with establishing the conceptual foundations for the rapid growth of virtual environments such as video games and the World Wide Web.
Having changed residence frequently with his family as a child, Gibson became a shy, ungainly teenager who often read science fiction. After spending his adolescence at a private boarding school in Arizona, Gibson evaded the draft during the Vietnam War by emigrating to Canada in 1968, where he became immersed in the counterculture and after settling in Vancouver eventually became a full-time writer. He retains dual citizenship.[18] Gibson's early works are bleak, noir near-future stories about the effect of cybernetics and computer networkson humans—a "combination of lowlife and high tech".[19] The short stories were published in popular science fiction magazines. The themes, settings and characters developed in these stories culminated in his first novel, Neuromancer, which garnered critical and commercial success, virtually initiating the cyberpunk literary genre.
Although much of Gibson's reputation has remained associated with Neuromancer, his work has continued to evolve. After expanding onNeuromancer with two more novels to complete the dystopic Sprawl trilogy, Gibson became an important author of another science fiction sub-genre—steampunk—with the 1990 alternate history novel The Difference Engine, written with Bruce Sterling. In the 1990s, he composed the Bridge trilogy of novels, which focused on sociological observations of near-future urban environments and late capitalism. His most recent novels—Pattern Recognition (2003), Spook Country (2007) and Zero History (2010)—are set in a contemporary world and have put his work onto mainstream bestseller lists for the first time.
Gibson is one of the best-known North American science fiction writers, fêted by The Guardian in 1999 as "probably the most important novelist of the past two decades". Gibson has written more than twenty short stories and ten critically acclaimed novels (one in collaboration), and has contributed articles to several major publications and collaborated extensively with performance artists, filmmakers and musicians. His thought has been cited as an influence on science fiction authors, design, academia, cyberculture, and technology.

Happy Birthday Anton Chekhov!


Don't tell me the moon is shining; show me the glint of light on broken glass. 

Anton Pavlovich Chekhov (RussianАнто́н Па́влович Че́ховpronounced [ɐnˈton ˈpavləvʲɪtɕ ˈtɕexəf]; 29 January 1860[1] – 15 July 1904)[2]was a Russian physician, dramatist and author who is considered to be among the greatest writers of short stories in history.[3] His career as a dramatist produced four classics and his best short stories are held in high esteem by writers and critics.[4][5] Chekhov practiced as a doctor throughout most of his literary career: "Medicine is my lawful wife", he once said, "and literature is my mistress."[6]
Chekhov renounced the theatre after the disastrous reception of The Seagull in 1896, but the play was revived to acclaim in 1898 byConstantin Stanislavski's Moscow Art Theatre, which subsequently also produced Chekhov's Uncle Vanya and premiered his last two plays, Three Sisters and The Cherry Orchard. These four works present a challenge to the acting ensemble[7] as well as to audiences, because in place of conventional action Chekhov offers a "theatre of mood" and a "submerged life in the text."[8]
Chekhov had at first written stories only for financial gain, but as his artistic ambition grew, he made formal innovations which have influenced the evolution of the modern short story.[9] His originality consists in an early use of the stream-of-consciousness technique, later adopted by James Joyce and other modernists, combined with a disavowal of the moral finality of traditional story structure.[10] He made no apologies for the difficulties this posed to readers, insisting that the role of an artist was to ask questions, not to answer them.[11]

Saturday, January 28, 2012

OCCUPY OAKLAND is flaring up again

--Police declared 'unlawful assembly' after marchers tore down perimeter fences at vacant Henry Kaiser Convention Center 28 Jan 2012 Oakland police used tear gas and "flash" grenades Saturday to break up an estimated 2,000 Occupy protesters after some demonstrators started throwing objects at officers and tearing down fencing. There were at least 10 arrests and no reports of serious injuries. Oakland officials say about 250 people were in the group when the protest started on the city's streets around noon, with demonstrators threatening to take over the vacant center. The crowd had grown to about 2,000 hours later, KCBS-AM reported.

Happy Death Day William Butler Yeats

1939 -- William Butler Yeats dies. His gravestone in
Ireland bears the epitaph he composed:

 "Cast a cold eye / On life, on death. / Horseman, Pass by."
  Author & used bookseller Larry McMurtry took the
  title of his first novel from these lines (filmed as Hud).
________________________________



William Butler Yeats (play /ˈjts/ yayts; 13 June 1865 – 28 January 1939) was an Irish poet and playwright, and one of the foremost figures of 20th century literature. A pillar of both the Irish and British literary establishments, in his later years he served as an IrishSenator for two terms. Yeats was a driving force behind the Irish Literary Revival and, along with Lady GregoryEdward Martyn, and others, founded the Abbey Theatre, where he served as its chief during its early years. In 1923 he was awarded the Nobel Prize in Literature as the first Irishman so honoured[1] for what the Nobel Committee described as "inspired poetry, which in a highly artistic form gives expression to the spirit of a whole nation." Yeats is generally considered one of the few writers who completed their greatest works after being awarded the Nobel Prize; such works include The Tower (1928) and The Winding Stair and Other Poems (1929).[2]
Yeats was born and educated in Dublin but spent his childhood in County Sligo. He studied poetry in his youth and from an early age was fascinated by both Irish legends and the occult. Those topics feature in the first phase of his work, which lasted roughly until the turn of the 20th century. His earliest volume of verse was published in 1889 and those slow-paced and lyrical poems display debts to Edmund SpenserPercy Bysshe Shelley, and the Pre-Raphaelite poets. From 1900, Yeats' poetry grew more physical and realistic. He largely renounced the transcendental beliefs of his youth, though he remained preoccupied with physical and spiritual masks, as well as with cyclical theories of life.

Happy Birthday Jackson Pollack!


Paul Jackson Pollock (January 28, 1912 – August 11, 1956), known as Jackson Pollock, was an influential American painter and a major figure in the abstract expressionist movement.
During his lifetime, Pollock enjoyed considerable fame and notoriety. He was regarded as a mostly reclusive artist. He had a volatile personality, and struggled with alcoholism for most of his life. In 1945, he married the artist Lee Krasner, who became an important influence on his career and on his legacy.[4]
Pollock died at the age of 44 in an alcohol-related car accident. In December 1956, the year of his death, he was given a memorial retrospective exhibition at the Museum of Modern Art (MoMA) in New York City, and a larger more comprehensive exhibition there in 1967. More recently, in 1998 and 1999, his work was honored with large-scale retrospective exhibitions at MoMA and at The Tate in London.[5][6]
In 2000, Pollock was the subject of an Academy Award–winning film Pollock directed by and starring Ed Harris.

Happy Birthday Jose Marti!

1853 -- Cuban revolutionist José Martí (1853-1895) lives.
Poet, essayist & journalist, who became a symbol of
Cuba's struggle for independence. The popular
song "Guantanamera" is based on a poem by Marti.

   Worked on underground papers & sent to jail & forced
   into exile (three columns & you're out?)

         "No man has any special right because he
         belongs to any specific race; just by saying
         the word man, we have already said all the
         rights."


                  — Jose Marti

Man reading should be man intensely alive. The book should be a ball of light in one's hand. - Ezra Pound

Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972) was an American expatriate poet and critic and a major figure in the earlymodernist movement in poetry. He became known for his role in developing Imagism, which, in reaction to the Victorian and Georgian poets, favored tight language, unadorned imagery, and a strong correspondence between the verbal and musical qualities of the verse and the mood it expressed. His best-known works include Ripostes (1912), Hugh Selwyn Mauberley (1920), and his unfinished 120-section epic, The Cantos, which consumed his middle and late career, and was published between 1917 and 1969.

Friday, January 27, 2012

The 10 Best Put-Downs in Literary History


There is a kind of unwritten rule among writers that you don’t criticize colleagues’ work too harshly, because they understand just how hard it is to produce great pieces. And yet, over the years handfuls of famous writers have taken huge exceptions to this rule, often with harsh but hilarious results. Some of them expressed their opinions in letters that have been included in their biographies, and who knows if they intended for the world to know of them. Either way, of the ones that are out there for all of us to enjoy, here are 10 of the best literary smack-downs ever recorded.

Thursday, January 26, 2012

Happy Birthday Angela Davis!


Angela Davis (born January 26, 1944) is an American political activist, scholar, and author. Davis emerged as a nationally prominent activist in the 1960s, when she was associated with the Communist Party USA, the Civil Rights Movement and the Black Panther Party. Prisoner rights have been among her continuing interests; she is the founder of "Critical Resistance", an organization working to abolish theprison-industrial complex. She is a retired professor with the History of Consciousness Department at the University of California, Santa Cruz and is the former director of the university's Feminist Studies department.[2] Her research interests are in feminismAfrican American studiescritical theoryMarxismpopular music and social consciousness, and the philosophy and history of punishment and prisons.[3]
Her membership in the Communist Party led to Ronald Reagan's request in 1969 to have her barred from teaching at any university in the State of California. She was tried and acquitted of suspected involvement in the Soledad brothers' August 1970 abduction and murder of Judge Harold Haley in Marin County, California.
She was twice a candidate for Vice President on the Communist Party USA ticket during the 1980s.

10 Reasons the US is No Longer the Land of the Free

by Jonathan Turley
Every year, the State Department issues reports on individual rights in other countries, monitoring the passage of restrictive laws and regulations around the world. Iran, for example, has been criticized for denying fair public trials and limiting privacy, while Russia has been taken to task for undermining due process. Other countries have been condemned for the use of secret evidence and torture.

Even as we pass judgment on countries we consider unfree, Americans remain confident that any definition of a free nation must include their own — the land of free. Yet, the laws and practices of the land should shake that confidence. In the decade since Sept. 11, 2001, this country has comprehensively reduced civil liberties in the name of an expanded security state. The most recent example of this was the National Defense Authorization Act, signed Dec. 31, which allows for the indefinite detention of citizens. At what point does the reduction of individual rights in our country change how we define ourselves?

While each new national security power Washington has embraced was controversial when enacted, they are often discussed in isolation. But they don’t operate in isolation. They form a mosaic of powers under which our country could be considered, at least in part, authoritarian. Americans often proclaim our nation as a symbol of freedom to the world while dismissing nations such as Cuba and China as categorically unfree. Yet, objectively, we may be only half right. Those countries do lack basic individual rights such as due process, placing them outside any reasonable definition of “free,” but the United States now has much more in common with such regimes than anyone may like to admit.

These countries also have constitutions that purport to guarantee freedoms and rights. But their governments have broad discretion in denying those rights and few real avenues for challenges by citizens — precisely the problem with the new laws in this country.

The list of powers acquired by the U.S. government since 9/11 puts us in rather troubling company.

Assassination of U.S. citizens

President Obama has claimed, as President George W. Bush did before him, the right to order the killing of any citizen considered a terrorist or an abettor of terrorism. Last year, he approved the killing of U.S. citizen Anwar al-Awlaqi and another citizen under this claimed inherent authority. Last month, administration officials affirmed that power, stating that the president can order the assassination of any citizen whom he considers allied with terrorists. (Nations such as Nigeria, Iran and Syria have been routinely criticized for extrajudicial killings of enemies of the state.)

Indefinite detention

Under the law signed last month, terrorism suspects are to be held by the military; the president also has the authority to indefinitely detain citizens accused of terrorism. While the administration claims that this provision only codified existing law, experts widely contest this view, and the administration has opposed efforts to challenge such authority in federal courts. The government continues to claim the right to strip citizens of legal protections based on its sole discretion. (China recently codified a more limited detention law for its citizens, while countries such as Cambodia have been singled out by the United States for “prolonged detention.”)

Arbitrary justice

The president now decides whether a person will receive a trial in the federal courts or in a military tribunal, a system that has been ridiculed around the world for lacking basic due process protections. Bush claimed this authority in 2001, and Obama has continued the practice. (Egypt and China have been denounced for maintaining separate military justice systems for selected defendants, including civilians.)

Warrantless searches

The president may now order warrantless surveillance, including a new capability to force companies and organizations to turn over information on citizens’ finances, communications and associations. Bush acquired this sweeping power under the Patriot Act in 2001, and in 2011, Obama extended the power, including searches of everything from business documents to library records. The government can use “national security letters” to demand, without probable cause, that organizations turn over information on citizens — and order them not to reveal the disclosure to the affected party. (Saudi Arabia and Pakistan operate under laws that allow the government to engage in widespread discretionary surveillance.)

Secret evidence

The government now routinely uses secret evidence to detain individuals and employs secret evidence in federal and military courts. It also forces the dismissal of cases against the United States by simply filing declarations that the cases would make the government reveal classified information that would harm national security — a claim made in a variety of privacy lawsuits and largely accepted by federal judges without question. Even legal opinions, cited as the basis for the government’s actions under the Bush and Obama administrations, have been classified. This allows the government to claim secret legal arguments to support secret proceedings using secret evidence. In addition, some cases never make it to court at all. The federal courts routinely deny constitutional challenges to policies and programs under a narrow definition of standing to bring a case.

War crimes

The world clamored for prosecutions of those responsible for waterboarding terrorism suspects during the Bush administration, but the Obama administration said in 2009 that it would not allow CIA employees to be investigated or prosecuted for such actions. This gutted not just treaty obligations but the Nuremberg principles of international law. When courts in countries such as Spain moved to investigate Bush officials for war crimes, the Obama administration reportedly urged foreign officials not to allow such cases to proceed, despite the fact that the United States has long claimed the same authority with regard to alleged war criminals in other countries. (Various nations have resisted investigations of officials accused of war crimes and torture. Some, such as Serbia and Chile, eventually relented to comply with international law; countries that have denied independent investigations include Iran, Syria and China.)

Secret court

The government has increased its use of the secret Foreign Intelligence Surveillance Court, which has expanded its secret warrants to include individuals deemed to be aiding or abetting hostile foreign governments or organizations. In 2011, Obama renewed these powers, including allowing secret searches of individuals who are not part of an identifiable terrorist group. The administration has asserted the right to ignore congressional limits on such surveillance. (Pakistan places national security surveillance under the unchecked powers of the military or intelligence services.)

Immunity from judicial review

Like the Bush administration, the Obama administration has successfully pushed for immunity for companies that assist in warrantless surveillance of citizens, blocking the ability of citizens to challenge the violation of privacy. (Similarly, China has maintained sweeping immunity claims both inside and outside the country and routinely blocks lawsuits against private companies.)

Continual monitoring of citizens

The Obama administration has successfully defended its claim that it can use GPS devices to monitor every move of targeted citizens without securing any court order or review. (Saudi Arabia has installed massive public surveillance systems, while Cuba is notorious for active monitoring of selected citizens.)

Extraordinary renditions

The government now has the ability to transfer both citizens and noncitizens to another country under a system known as extraordinary rendition, which has been denounced as using other countries, such as Syria, Saudi Arabia, Egypt and Pakistan, to torture suspects. The Obama administration says it is not continuing the abuses of this practice under Bush, but it insists on the unfettered right to order such transfers — including the possible transfer of U.S. citizens.

These new laws have come with an infusion of money into an expanded security system on the state and federal levels, including more public surveillance cameras, tens of thousands of security personnel and a massive expansion of a terrorist-chasing bureaucracy.

Some politicians shrug and say these increased powers are merely a response to the times we live in. Thus, Sen. Lindsey Graham (R-S.C.) could declare in an interview last spring without objection that “free speech is a great idea, but we’re in a war.” Of course, terrorism will never “surrender” and end this particular “war.”

Other politicians rationalize that, while such powers may exist, it really comes down to how they are used. This is a common response by liberals who cannot bring themselves to denounce Obama as they did Bush. Sen. Carl Levin (D-Mich.), for instance, has insisted that Congress is not making any decision on indefinite detention: “That is a decision which we leave where it belongs — in the executive branch.”

And in a signing statement with the defense authorization bill, Obama said he does not intend to use the latest power to indefinitely imprison citizens. Yet, he still accepted the power as a sort of regretful autocrat.

An authoritarian nation is defined not just by the use of authoritarian powers, but by the ability to use them. If a president can take away your freedom or your life on his own authority, all rights become little more than a discretionary grant subject to executive will.

The framers lived under autocratic rule and understood this danger better than we do. James Madison famously warned that we needed a system that did not depend on the good intentions or motivations of our rulers: “If men were angels, no government would be necessary.”

Benjamin Franklin was more direct. In 1787, a Mrs. Powel confronted Franklin after the signing of the Constitution and asked, “Well, Doctor, what have we got — a republic or a monarchy?” His response was a bit chilling: “A republic, Madam, if you can keep it.”

Since 9/11, we have created the very government the framers feared: a government with sweeping and largely unchecked powers resting on the hope that they will be used wisely.

The indefinite-detention provision in the defense authorization bill seemed to many civil libertarians like a betrayal by Obama. While the president had promised to veto the law over that provision, Levin, a sponsor of the bill, disclosed on the Senate floor that it was in fact the White House that approved the removal of any exception for citizens from indefinite detention.

Dishonesty from politicians is nothing new for Americans. The real question is whether we are lying to ourselves when we call this country the land of the free.

© 2012 Jonathan Turley

25 Things I Learned From Opening a Bookstore

1. People are getting rid of bookshelves. Treat the money you budgeted for shelving as found money. Go to garage sales and cruise the curbs.

2. While you're drafting that business plan, cut your projected profits in half. People are getting rid of bookshelves.

3. If someone comes in and asks where to find the historical fiction, they're not looking for classics, they want the romance section.

4. If someone comes in and says they read a little of everything, they also want the romance section.

5. If someone comes in and asks for a recommendation and you ask for the name of a book that they liked and they can't think of one, the person is not really a reader. Recommend Nicholas Sparks.

6. Kids will stop by your store on their way home from school if you have a free bucket of kids books. If you also give out free gum, they'll come every day and start bringing their friends.

7. If you put free books outside, cookbooks will be gone in the first hour and other non-fiction books will sit there for weeks. Except in warm weather when people are having garage sales. Then someone will back their car up and take everything, including your baskets.

8. If you put free books outside, someone will walk in every week and ask if they're really free, no matter how many signs you put out . Someone else will walk in and ask if everything in the store is free.

9. No one buys self help books in a store where there's a high likelihood of personal interaction when paying. Don't waste the shelf space, put them in the free baskets.

10. This is also true of sex manuals. The only ones who show an interest in these in a small store are the gum chewing kids, who will find them no matter how well you hide them.

11. Under no circumstances should you put the sex manuals in the free baskets. Parents will show up.

12. People buying books don't write bad checks. No need for ID's. They do regularly show up having raided the change jar.

13. If you have a bookstore that shares a parking lot with a beauty shop that caters to an older clientele, the cars parked in your lot will always be pulled in at an angle even though it's not angle parking.

14. More people want to sell books than buy them, which means your initial concerns were wrong. You will have no trouble getting books, the problem is selling them. Plus a shortage of storage space for all the Readers Digest books and encyclopedias that people donate to you.

15. If you open a store in a college town, and maybe even if you don't, you will find yourself as the main human contact for some strange and very socially awkward men who were science and math majors way back when. Be nice and talk to them, and ignore that their fly is open.

16. Most people think every old book is worth a lot of money. The same is true of signed copies and 1st editions. There's no need to tell them they're probably not insuring financial security for their grandkids with that signed Patricia Cornwell they have at home.

17. There's also no need to perpetuate the myth by pricing your signed Patricia Cornwell higher than the non-signed one.

18. People use whatever is close at hand for bookmarks--toothpicks, photographs, kleenex, and the very ocassional fifty dollar bill, which will keep you leafing through books way beyond the point where it's pr0ductive.

19. If you're thinking of giving someone a religious book for their graduation, rethink. It will end up unread and in pristine condition at a used book store, sometimes with the fifty dollar bill still tucked inside. (And you're off and leafing once again).

20. If you don't have an AARP card, you're apparently too young to read westerns.

21. A surprising number of people will think you've read every book in the store and will keep pulling out volumes and asking you what this one is about. These are the people who leave without buying a book, so it's time to have some fun. Make up plots.

22. Even if you're a used bookstore, people will get huffy when you don't have the new release by James Patterson. They are the same people who will ask for a discount because a book looks like it's been read.

23. Everyone has a little Nancy Drew in them. Stock up on the mysteries.

24. It is both true and sad that some people do in fact buy books based on the color of the binding.

25. No matter how many books you've read in the past, you will feel woefully un-well read within a week of opening the store. You will also feel wise at having found such a good way to spend your days.

Wednesday, January 25, 2012

Come visit us at the Career Opportunities Internship Fair at Evergreen Today!

Library Lobby at Evergreen, Noon to 3 pm. Last Word and Don't Stop Printing are upstairs.


- Posted using BlogPress from my iPhone

Tuesday, January 24, 2012

Shock fiction

Dearest Bibliophiles,

In Brett Easton Ellis' American Psycho, Patrick Bateman is a savant of evil, a sort of artist of the perverse and horrific. Violence--particularly sexual violence--is juxtaposed with the most insipid aspects of 1980s yuppie culture. At one point, several pages are given to a four-way go-nowhere conversation over which restaurant to eat at, while other sections chronicle the kidnap, torture, and death of various victims (usually women).

It's all but impossible to miss the book's Christian parallels--for example, the first sentence is a quotation from Dante's Inferno, while the last sentence is a nod to Sartre's depiction of Hell in No Exit. One could read the novel as Bateman being a demon and his world, from which anything like God is conspicuously absent, as Hell. While the book caused an uproar during its initial publication (Ellis received death threats), it was lauded by critics as a commentary on our own immoral--or amoral--society. Norman Mailer called it "The first novel to come along in years that takes on deep and Dostoyevskian themes."

Mailer's parallel to Dostoevsky is apt. The Russian legend's Notes From the Underground is quite similar to American Psycho: the bizarre and grotesque narrator, the heavy but indirect social criticism, the amorality. And Dostoevsky was certainly a moralist, if ever there was one. His entire career can be seen as one long argument against the revolutionary atheism of his youth, which—he thinks—leads to moral decay and despair. With the early Notes as a sort of trial-run novella, he went on to create similar characters in his great novels: Crime and Punishment's Raskalnikov, The Brothers Karamazov’s Ivan, and Demons (AKA The Possesed)’s Stavrogin. Dostoevsky showed us men as products of their time. In this way he used character construction as the arena for his social criticism.

Reading American Psycho in this way would appear to exculpate Ellis, at least as far as the book’s morality goes. On this view, the immorality and horror he depicts is not from him but rather from us, the society around him. He’s just holding up a mirror in the person of Patrick Bateman. In Ellis' own words: "[Bateman] was crazy the same way [I was]. He did not come out of me sitting down and wanting to write a grand sweeping indictment of yuppie culture. It initiated because my own isolation and alienation at a point in my life.I was living like Patrick Bateman. I was slipping into a consumerist kind of void that was supposed to give me confidence and make me feel good about myself but just made me feel worse and worse and worse about myself. That is where the tension in American Psycho came from."

Is this adequate, though? Ellis' personal motives aside, does our moral edification really require us to read, in excruciating detail, how Bateman uses knives and a caged rat to torture a sex worker to death? It’s certainly plausible that moralistic criticism is one thing that Ellis is trying to do, but that by no means implies that he succeeds. Perhaps Ellis merely further inures us to horror and violence by employing it so aggressively in his work. Or could it be that the real function of violence in the novel is merely to grab our attention, create controversy, scare the shit out of the reader, and that the moral-critic argument is just a ruse? Could gore function here the same way that it functions in vapid gross-out zombie flicks? It’s not clear that Ellis, by parodying the horror and violence of his society, successfully criticizes it. And for someone exploiting horror to create shock-value in his fiction, what could be better camouflage that pretensions of moral superiority?

(Indeed, Ellis goes on to criticize himself for this sort of hypocrisy, in Lunar Park. He writes of how he spent his life writing novels about bad behavior while still participating in that bad behavior [i.e. drugs and nihilism, not torture and murder] and then excusing himself by calling it ‘research.’)

Your author doesn’t know what to make of this. Reading American Psycho a few years ago, I remember that there were certain sections so gut-wrenching that I had to read a few sentences, put the book down for a minute, and then read a few more sentences. There can be no doubt that Ellis is one hell of a writer when he wants to be. What’s still ambiguous, though, is whether his parody constitutes a critique.

What do you think? Does Ellis successfully attack the selfishness/nihilism/materialism/impersonal violence/etc. of 1980s/contemporary America? Does he exploit horrific violence in his work for shock value, while masquerading as a moralist? Is he somewhere between these two extremes? Is something completely different going on that this essay fails to appreciate? And more generally, when and how is it legitimate to use shock-tactics in art?

Demand Environmental Accountability on Universal Studio's LORAX Movie Website!

Change.org
Let the Lorax speak for the trees: Join 4th graders to ask Universal Studios to include environmental education with the Lorax Movie
Sign the Petition
Dear Reader,
The students in Mr. Wells’ fourth grade class in Brookline, Massachusetts love The Lorax by Dr. Seuss. They love the story, and they especially love the book’s message that if we don’t start prioritizing the environment, the consequences will be disastrous.
So they were super excited to learn that Universal Studios made The Lorax into a blockbuster animated movie (it comes out in March on Dr. Seuss’ birthday).But when the kids went to the movie’s website, they were crestfallen to see it had no environmental education at all. Nothing about pollution, nothing about trees, just information on how to buy tickets.
“The website is more about making money than helping the planet, and that’s exactly what the book says not to do,” says Georgia, who is 10.
“This movie can show the world we should not take our sky, water, trees, and animals for granted,” the kids say in their petition. “We’re encouraging Universal to make an improved Lorax movie website that Dr. Seuss would be proud of.”
For his part, Mr. Wells is pretty proud of his students already. “As a teacher, I want to help kids know they have a voice and that, like the Lorax, they should speak up and act if there's a problem in their world,” he says.
If Universal executives see that their target audience feels strongly about the inclusion of environmental education in The Lorax website and other promotional materials, they’ll make it happen. Mr. Wells’ class asked that we include their favorite quote from The Lorax in this email: “Unless someone like you cares a whole awful lot, nothing’s going to get better, it’s not.”
Thanks for being a change-maker,
- Corinne and the Change.org team